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New York Noir Neorealism: The Naked City (1948) and The Tattooed Stranger (1950)
Most of the early film noir classics are set, if not in Los Angeles, then someplace in southern California. Think Double Indemnity and The Big Sleep and The Postman Always Rings Twice. Even when set a bit further afield, such as the San Francisco of The Maltese Falcon, the movies were shot in studios and…